On February 23rd, a radio workshop was conducted utilizing ABLETON LIVE and FM RADIO technology. Participants observed the relative ease of transmitting a radio signal using ABLETON LIVE to send an FM signal, which was subsequently received and broadcasted by a radio transmitter. An experimental broadcast was executed, featuring both a pre-prepared sample script and improvisation. Given the occurrence of feedback when the microphone and radio were co-located, a mitigation strategy was implemented by siting the radio in a separate room, thereby illustrating firsthand the impact of radio type and environmental variables on the listener’s auditory experience.

Utilizing a single microphone for multiple narrators necessitated the selection of an omnidirectional microphone with the ability to capture sound from all directions. However, it was emphasized that speaking directly into the microphone remains crucial for optimal sound transmission, as failing to do so may result in inadequate sound projection. Conversely, intentional deviations from the microphone, such as speaking in the opposite direction to convey distance or subtle noise, were acknowledged as viable stylistic choices.

Furthermore, the constant sensitivity of the microphone and its propensity to capture ambient noise highlighted the importance of maintaining a focused and controlled audio environment during broadcasts. Unintended background chatter or laughter, when occurring concurrently with narration, risked detracting from the listener’s experience. Conversely, deliberate incorporation of background reactions, such as laughter in response to humor, was recognized as a means to enhance listener engagement, albeit with moderation.

Personal experiences as a host underscored the necessity of utilizing headphones to monitor audio output, enabling real-time self-assessment and adjustment of microphone distance and input gain for optimal performance. It was concluded that the number of hosts and microphone type should be carefully considered when planning radio broadcasts, with narrative delivery tailored to microphone specifications and host intentions. Additionally, attention to broadcast room acoustics and host conduct in minimizing unintended noise was emphasized. Utilization of headphones or earphones for self-monitoring, coupled with adjustments to microphone distance and input gain, was recommended to ensure a polished broadcast output.

In conclusion, it is imperative to account for factors such as the number of hosts and microphone types, ensuring that narrative recording aligns with microphone characteristics and host intentions. Additionally, the design of the broadcast room should prioritize the attenuation of background noise, while hosts must exercise caution to prevent inadvertent sound interference. Self-monitoring tools such as headphones or earphones can facilitate this process, enabling hosts to adjust microphone distance and input gain accordingly, thereby contributing to a more polished broadcast output.